| Papers in English | ||||
| code | Title | media | year | |
| 201 | the aesthetics for computer art | bit international No.2 pp.19-28 | 1968 | |
| 202 | Computer-aided Aesthetics as Simulation of Art | 7th Int'l Congress of Aesthetics, Bucharest | 1972 | |
| 203 | Aesthetics in Computer Science | 13th Int'l Congress of Aesthetics, Lahti, Finland | 1995 | |
| 204 | Inverted Metaphor and Folk Aesthetics | Memoirs of TMIT vol.12 pp.139-150 | 1998.9 | |
| 205 | Ostension and Creation of Artwork -Asian Seeds in Postmodern Aesthetics- | 15th Int'l Congress of Aesthetics, Makuhari, Japan | 2001 | |
| 206 | Analysis of Information Processing of Art | Psychologia vol.15 pp.156-166 | 1972 | |
| 207 | PDL Processor for Picture Production | ICCH/1, 1st Int'l Conference on Computers and the Humanities, Univ of Minnesota | 1973 | |
| 208 | Markov Process Theory of Picture | ICCH/2, 2nd Int'l Conferene on Computers and the Humanities, Univ of Southern California | 1975 | |
| 209 | Image Transformation and Aesthetics | ACM SIGGRAPH'85 Panel "Aesthetics of Computer Graphics" | 1985 | |
| 210 | Doraemon as an artistic image processor | Visual Computer vol.2 pp.195-203 | 1986 | |
| 211 | Living in an Alien Society | FRIEND21 workshop | 1989.9.7 | |
| 212 | A New Method in Scientific Aesthetics | Semiosis 59/60 pp.31-62 | 1990 | |
| 213 | Metaphor for Human Interface | Next Generation Human Interface Architecture Workshop | 1990 | |
| 214 | Folk Aesthetics on Computer Metaphor | Semiosis 83/84 pp.67-80 Shenzen Int'l Aesthetics and Aethetic Education Conference | 1996 | |
| 215 | Folk Aesthetics as a Postmodern Paradigm | 20th Century Art, Int'l Conference, St. Petersburg, Russia | 1999 | |
| 216 | Locality of Artistic Creation | Int'l Conference on Aesthetics and Art Education pp.1-6 | 2002 | |
| 217 | Computer Art and Picture Language(Zagreb colloquy) | Memoirs of MCAT vol.11 pp.97-101 | 1972 | |
| 218 | The Design of Conversational PCS | Memoirs of MCT vol.2 pp.17-140 | 1974 | |
| 219 | Tanka Generation by Bottom-up ATN | Memoirs of MCT vol.9 pp.175-191 | 1981 | |
| 220 | Doraemon as a pragmatic Processor | Memoirs of MCT vol.10 pp.173-183 10th Anniversary Special Issue | 1982.3 | |
| 221 | The Art of PERSON -For Anthropomorphization of the LOGO Turtle- | Memoirs of MCT vol.12 pp.191-207 | 1984.3 | |
| 222 | Mind as the Monad Society without God | Memoirs of MCT vol.13 pp.217-227 | 1985.3 | |
| 223 | Image Transformation and Aethetics | Memoirs of MCT vol.14 pp.79-82 | 1986 | |
| 224 | Imaging by the Society of Mind | Memoirs of MCT vol.14 pp.83-88 | 1986 | |
| 225 | Empathetic society of mind for abnormal text | Language of design vol.1 pp.27-36 | 1992 | |
| 226 | Mind of Computer - From the Chinese Room to the Society of Mind | Memoirs of TMIT vol.2 pp.117-126 | 1988.3 | |
| 227 | A New Method of Scientific Aesthetics (1) | Memoirs of TMIT vol.3 pp.105-117 | 1989.3 | |
| 228 | A New Method of Scientific Aesthetics (2) | Memoirs of TMIT vol.3S pp.37-51 | 1989.10 | |
| 229 | Democracy in Computer | Memoirs of TMIT vol.3S pp.53-58 | 1989.10 | |
| 230 | The Markov Model of Art | Memoirs of TMIT vol.3S pp.59-66 | 1989.10 | |
| 231 | Folk Aesthetics and Computing Pluralism | European Journal for Semiotic Studies v10n3 pp.483-492 | 1998 | |
| 232 | Artist's comment on Red tree | LES CAHIERS SESA No.5, p.12 | 1973.10 | |
| 233 | Artist's comment | Computer Graphics and Art vol.1 no.2, p.12 | 1976.5 | |
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MCAT: Tokyo Metropolitan College of Air-Technology MCT: The Metropolitan College of Technology TMIT: Tokyo Metropolitan Institute of Technology | ||||